Play to the Samsung’s strengths with some 4K HDR10+ content and the AU9000 didn't take long to impress me. It has some real and unarguable strengths when it comes to picture-making. As yet, we’ve no confirmation as to whether the Samsung AU9000 range will be offered for sale either in Australia or in the United States. Samsung isn’t alone in preferring to have bespoke models in different territories – or, at the very least, to have different model numbers in different territories for the same televisions. Design The Game Bar is a new addition to some of Samsung’s TVs this year and provides all the main gaming info and settings in one convenient display. It pops up when the play/pause button is held down and includes the HDR, frame rate, and VRR status, as well as key gaming picture adjustments. It’s going to come as no great surprise to learn that the Samsung does its verybest work when given the very best content to work with. And, in light of its specification, the very best content turns out to be some native 4K material with HDR10+ as the cherry on top. A sense of value is absolutely critical to the Samsung BU8500. It exists to make sure that you can get lots of the latest features for a low price, or to give you the chance to upgrade to a larger screen while still keeping within your budget.

And where edge definition and motion control are concerned, the Samsung UE50AU9000 is similarly confident. With content of this standard there’s just no suggestion of the Samsung losing its grip of on-screen movement, and it draws edges with a deft and steady hand. There’s a definite suggestion of three-dimensionality to the 50AU9000’s images that most comparably priced alternatives would struggle to match. The bezel across the bottom is a little wider, and stands proud of the screen just a little, but I wouldn’t call it unsightly. ‘Inoffensive’ is sometimes a put-down, but not in this instance. Look directly at it when the TV isn’t switched on, and this Samsung is the best sort of inoffensive.It’s the final figure in the Samsung’s 1119 x 645 x 26mm (h x w x d) measurements that’s the most arresting. That depth is consistent, too – so if you decide to wall-mount your TV, it’ll sit almost flush. Samsung, with no apparent sense of hyperbole, calls this design language ‘AirSlim’. Of course, we don’t all live on a diet of brand-new cutting-edge content - and when it comes to upscaling, the Samsung (mostly) continues its good work. Certainly an HD broadcast of some elite-level tennis suffers hardly at all – colors are confidently described, on-screen movement is stable in almost all circumstances, and detail levels stay high. There’s a little coarsening of skin-tones and a hint of jaggedness to the more difficult edges, but by and large the BU8500 remains eminently watchable. There are limits to the amount of ‘designing’ that can be done to a TV at the best of times, and ‘the best of times’ most certainly does not include a mainstream range of aggressively priced televisions designed to appeal to as many folk as possible. So the BU8500 is an unremarkable looker. During setup, the adjustment to color balance is on a bit of a hair-trigger – it’ll tip from ‘just slightly understated’ to ‘rather too lively’ in no time. But play around a bit to find the optimum balance and the color palette is naturalistic, convincing and wide-ranging. Skin-tones, in particular, are detailed and varied.

There are two ways to consider the design of the 50AU9000. The first is from straight-on, because that’s how you’ll be watching it. And when viewed this way, the Samsung is completely anonymous – but in a good way. After all, very few people want their TV to draw attention to itself, so design flourishes are pretty rare. The Samsung AU9000 is mostly screen, with quite narrow bezels across the top and down each side. From the front, the Samsung AU9000 TV looks clean enough. The bezel is minimal around the top and sides – and even if the bottom portion is both a bit heftier and doesn’t join the main frame seamlessly at either end, that’s the sort of thing you notice while installing the screen and then never give another thought to. The plastics feel nice enough, even on the rear panel, and as is usual with Samsung there’s an impression of quality construction. Many countries receive market-specific variations of television, of course, due to differences in broadcast standards and so on – so at present there’s no confirmation of what the equivalent Samsung screen will be in other territories. What we can be certain of, though, is that both the United States and Australia will be getting a range of competitively priced, competitively specified Samsung 4K LED TVs that are more than a little reminiscent of the BU8500 series. Slim chassis, great spec and very agreeable picture performance is all well and good – but when it comes to audio performance, the Samsung BU8500 sounds like an affordable flatscreen TV of the old school. And that’s not necessarily a good thing. One thing that’s not new, on the basis that upgrading it would be difficult in the extreme, is the Tizen smart TV interface. It’s long been close to ideal and, though every other manufacturer has undeniably upped their smart TV game to compete, Tizen continues to be a pleasure to use.

The Samsung BU8500 is impressively slim, but this does limit what its speakers can do. (Image credit: Future) Samsung BU8500 review: Sound quality It’s quite distinct through the mid-range and, again, quite decent levels of detail. Voices project forwards well, and they're actually quite nicely balanced – until they start to nudge into the upper frequency range. Once it reaches the higher frequencies, the BU8500 becomes quite hard and edgy, bringing sibilance and even a hint of coarseness to treble sounds. It’s a trait that’s only exacerbated by volume. The Samsung BU8500's ports are largely easy to access. (Image credit: Future) Samsung BU8500 review: Features