Access-restricted-item true Addeddate 2021-11-25 16:07:11 Autocrop_version 0.0.5_books-20210916-0.1 Bookplateleaf 0008 Boxid IA40295823 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier Juliana D. Kreinik; New York University. Institute of Fine Arts (2008). The Canvas and the Camera in Weimar Germany: A New Objectivity in Painting and Photography of the 1920s. p.232. ISBN 978-0-549-58248-9. Bertini M, Verveniotou E, Lowe M, Giles Miller C (2016) Laser ablation inductively coupled plasma mass spectrometry investigation of late 19th Century Blaschka marine invertebrate glass models. J Archaeol Sci Rep 6:506–517 Richeson DS (2012) Euler's Gem: the polyhedron formula and the birth of topology. Princeton University Press, Princeton, NJ

Art Forms in Nature By Ernst Haeckel + Downloadable files Art Forms in Nature By Ernst Haeckel + Downloadable files

Ball A, Abel R, Ambers J, Brierley L, Howard L (2011) Micro-computed tomography applied to museum collections. Microsc Microanal 17(S2):1794–1795 Bueno E (2009) Algorithmic Form Generation of a Radiolarian Pavilion. Int J Archit Comput 7(4):677–688Sabin JE, Jones PL (2008) Nonlinear systems biology and design: surface design. In: International conference ACADIA proceedings Stafford BM (1991) Body criticism: imagining the unseen in enlightenment art, science, and medicine. MIT Press, Cambridge, p 84 Nature in art can take many visual forms, from photorealism to abstraction. Art can mimic nature, by seeking to visually replicate objects as they actually appear in real life. But abstract paintings can also take their visual cue from actual forms in nature, such as the painting below. This piece arose from the study, observation, and contemplation of natural phenomena and natural forms. When sitting at the easel, I used creative liberties to assign bright colors to detailed patterns that were inspired by what I had seen in my natural surroundings. Bergdoll B (2007) Of crystals, cells, and strata: natural history and debates on the form of a new architecture in the nineteenth century. Archit Hist 50:1–29 Ritterbush PC (1968) The art of organic forms. Smithsonian Institution Press, Washington, DC, pp 64–65

Art Forms in Nature: radiolaria from Haeckel and Blaschka to

Dyer R (2008) Learning through glass: the Blaschka marine models in North American post-secondary education. Hist Biol 20(1):29–37 Please select the option that best describes your intended usage. By proceeding, you agree to the relevant terms and conditions. Maartens A (2017) On Growth and Form in context–an interview with Matthew Jarron. Development 144(23):4199–4202 Yoshino T, Katsunori Kimoto N, Kishimoto AM, Kurihara T, Ishida N, Matsuura S (2009) A simple mathematical model for chamber arrangement of planktic foraminifera. FORMA 25:87–92 Nature's Beauty Captured Serene Wall Art Earthy Decor Botanical Bliss Peaceful Landscape,Eco-Friendly Art Eco-Friendly Art

Georgia O'Keeffe Nature Forms Gaspé Giclee Print Reproduction Painting Large Size Canvas Paper Wall Art Poster Ready to Hang Framed Print

Art Forms in Nature: Marine Species From Ernst Haeckel

Emmer M (2002) Mathland: from topology to virtual architecture. In: Emmer M (ed) Mathematics and culture II. Visual perfection: mathematics and creativity. Springer, Berlin, pp 65–78Wertheim M (2009) Margaret Wertheim on the beautiful math of coral. TED talk. https://www.ted.com/talks/margaret_wertheim_crochets_the_coral_reef From recent articles published via premier scientific journals to monumental volumes marking the beginning of our study of the natural world, BHL’s collections include information about species from every corner of the globe and ecological niche. These digital collections are especially important for the works of the most influential men and women scientists of past centuries, books that because of their age and value are only available in a handful of libraries. Sigwart JD (2008) Crystal creatures: context for the Dublin Blaschka Congress. Hist Biol 20(1):1–10