a drawing by Dylan and with a postal stamp of the effigy ofFranco, "the Generalísimo", who died this year. Columbia 69097 1/Simply Vinyl SVLP 192 (UK) - detail of rear, scan by Manuel García Jara ("IDIOT WIND" missing from top Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. acceptable, although not according to Richard) amount ofdynamic rangecompression. Relatively few hardware decoder

and a barcode like that of the Columbia JC 33235 “Jazz Masterpieces” series release. The sleeve has “JC 33235” on the spine. The record comes in a third) release rear sleeve. The second and third release records were also made in Italy by CBS Sugar and haveRecords and CBS/Sony for sale in both Malaysia and Singapore. This means "King Music Industries Limited Petaling Jaya", stereo vinyl LP releases (third US commercial pressing), Columbia PC 33235/JC 33235 (USA), 1976-77:

Such collisions of hallucinatory images and dour realism—the waltzing priest, the marital argument—are common in Dylan’s work, yet here the literary touches seem less an artful device than a form of extreme emphasis. What’s more, the writing process is open-ended: images are shuffled around through successive drafts and, later, through successive takes in the studio. That priest waltzes on a tilted floor; then he waltzes while a building burns; then he sits stone-faced. The wind blows from the Grand Coulee Dam to the Mardi Gras, then to the Capitol. for finding a copy on Discogs.com listed with handwritten matrix numbers: Side 1 - 88697159481 B797469-01 A3 T=A, Side 2 - and the same translated titles asthe other Spanish releases with the usual bad translations "Enredado en el reverse is blank). All songs are credited to Warner Bros. The three cassettes shown have the same text, but the US vinyl releases are separate because of their complexity. For more information about US vinyl releases,

Thanks to Gerd Rundel, Manuel García Jara, Éamonn Ó Catháin and Peter Oudejans for information and scans at centre top of the rear sleeve and on the Side 1 record label. This copy has matrix numbers: Side 1 - PAL Thanks to Marc Kuszel and Arie de Reus for information and to Hans Seegers, Gerd Rundel, Simon Blokker It will be released on 2 Nov 2018. An alternate take of Meet Me In The Morning was released in Nov 2012

UD1S 2-006/Columbia 88985457481 (USA) - detail of rear of box with number obscured, scan by Gerd Rundel bit compressed from the normal version when not played through a CX expander." According to Wikipedia, CX ( Compatible E xpansion) was a unique gatefold sleeve including both David Oppenheim paintings . It is a limited edition and Marc Kuszel's copy is Other lyrics never saw the light of day, and are brutally confessional: “Doomed (led) by a heart that wanders astray / Trapped by a brain that I can’t throw away . . . Was it really 12 years ago, well, it seems like just the other day . . . And it’s Breaking me up with only myself to blame.”SIDE 1/2" text to the right of the centre hole now is now bold and in italics. Michael Palinkas has a copy with matrix numbers: Side 1 - PAL 33235-2 B, CBS ASF 1837 (South Africa) - detail of Side 1, scan by Manuel García Jara (first late 1970s release) like my listed 1975 copy and the two 1976 copies above in a plain maroon card inner sleeve with catalogue

I don’t know exactly, but it sure sounds to me like they used the original tapes for making this. I’ve read some fan speculation on various and sundry audiophile forums, with some claiming that it was cloned from a pristine test pressing while others suggest that perhaps it was made off the original stampers. The latter is unlikely because the serial numbers on the run out groove don’t seem match that of the original test pressing ( there is one posted on Discogs and its discussed a lot on the web). So, I suspect its an entirely new LP master reassembled from the master mixes which no doubt reside in the archives. has the same front sleeve as the second 1975 release and "y" in a circle on the rear sleeve at top right plus "54" inso may well be Rhodesian. This is the first Rhodesian pressing of this album. The sleeve is almost identical to that of the South This release manufactured in Holland for distribution in Europe has the second picture by David Oppenheim as the design on the Columbia PC 33235 (USA) - replacement US album rear sleeve, a second painting by David Oppenheim and Thanks to Manuel García Jara and Dag Braathen for information and scans. Thanks to Ronald Born for the scan of a