Where do writers get their ideas? Anywhere and everywhere they can. In the case of Beyond the Burn Line, it began with something so slight it barely qualified as the ghost of a notion. A throwaway remark by a minor character in one of my earlier novels, The Quiet War, who wonders, as nations struggle to fix the damage to ecosystems caused by previous generations, if Earth might not be better off without humans. ‘In Risking his reputation and his life, Pilgrim’s search for the truth takes him from his comfortable home in the shadow of a great library to his tribe’s former home on the chilly coast of the far south, and the gathering of a dangerous cult in the high desert. Whether or not the visitors are real, one thing is certain. Pilgrim’s world and everything he thought he knew about his people’s history will be utterly changed.

The characters are quite interesting too, the structure of the "people" society and their biology is well thought out, though, for most of the storyline, Pilgrim and his friends and companions are not that distinguishable from human characters as per master Able's theory above In the course of this story, we learn that humans have been extinct for “only” two-hundred thousand years and that the intelligent Bears were overthrown by the People eight hundred years before when a plague reduced Bear intelligence and made them feral. Paul McAuley seems to specialise in these conceptual novels. This is no exception. It takes place 200.000 year after the exctinction of humanity. A race of intelligent raccoons has arisen. One of them, Pilgrim Saltmire, tries to complete the research of his mentor, who has passed away. It concerns the observations of mysterious 'visitors' and the question if these are a real phenomenon or pure imagination. Pilgrims journey takes him to the south of his continent, where he finds a map from an earlier civilisation ... The map contains clues to something bigger going on ...During the rest of the fortnight I read my way through that shelf, five books at a time, even when the rain stopped and the sun reappeared, just in time for the opening of the third and last Isle

Then turn your attention to the Beringerian Standstill – twenty-thousand years! Three times as long as we have history. For three times longer than earliest pharaohs, there was a population of humans that could not leave this godforsaken sliver of land. Eventually, they did, at which time they populated North America. In summary then, as with the best of Paul’s work, Beyond the Burn Line is inventive and smart, engaging and logical. As a reader I found myself caring a great deal about what happens to Pilgrim, his descendants, and their world, until by the end when the story was done, I was sad to find it finished. It begins with scholar's assistant Pilgrim Saltmire after the death of his patron. Pilgrim wants to complete his master's work, an investigation of mysterious lights in the sky that might be visitors but might also be mass hysteria. He wants but funds for the work, which are hard to obtain. Returning to his mome he meets rejection, shame and exile. But exile leads to discovery of a mysterious map and a connection beween his people, bears and ogres which have devastating implications. Beyond the Burn Line shows us what a skilled writer can do. Imaginative, intelligent world building, with a far-future setting that allows our characters, whilst different, to exhibit endearingly human traits. It is going to be one of my books of the year, I think.

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I was not completely satisfied. I had hoped for much deeper time, but, obviously, given the answers to the mysteries presented, that would never work. In addition, new mysteries were raised at the end of the book that were not answered. It may be that McAuley intended to write a second book, but that left this book with the sense that some things were left hanging. Beyond the Burn Line is a book of two halves. The first takes us into a far future Earth, where the dominant species, simply referred to as 'people' but clearly not human, live a relatively low tech, but rich life. We discover that they used to be slaves of intelligent bears, who were the main intelligent species on Earth for thousands of years before their relatively recent demise. Humans (referred to as ogres) have been extinct far longer, which, until things are explained further, made the tag line of the book 'What will become of us?' confusing. The two central characters in Ned Beauman's dark comedy are, broadly, personifications of the commonest reactions to the great thinning of the world's ecosystems: grief and anger. Emotions which in this case are generated by the accidental destruction of what may have been the last breeding grounds of a 'bumpy and greyish That is a clue that something is going on which is not natural. Two-hundred thousand years is not enough time for the evolution of a new intelligent species, much less two. There is an explanation for this, but I will not spoil it here.

And so it seems to go, only for the story to take an unexpected turn and lead to Pilgrim's most important discovery which seems to suggest that recent history including the fall of the Bears civilization to plague and the rise of the people to their peaceful but definitely materially and technologically progressing society along the lines of the long ago Ogres civilization, though hopefully this time without violating Mother (Earth) so inviting her brutal response that led the Ogres to extinction, is actually not quite as in the official histories preserved in the vast Library of the People where Pilgrim worked for so long.The first novel by poet J.O. Morgan, Pupa is set in an alternate world predicated on a single what if? -- what if human reproduction resembled that of insects, with larval forms hatching from eggs, and changing, via pupae, into the adult form? Sal is a larval who tells himself he is content with his lot. He's an unambitious office drone with a necessarily unrequited friendship with another larval, Megan, and has no intention of willing the potentially fatal transformation to adulthood. As he tells Megan, 'You can't know if you'll like how you'll turn out.' But by a single uncharacteristic act, he precipates Megan's decision to change, and puts his own assumptions to the test.