By Nicholas Kenyon
"Too often a multi-author paintings on a composer obscures instead of illuminates its topic. This quantity casts a surely prismatic mild upon it."
R.J. range, the hot Criterion
"An Anniversary Portrait succeeds in delivering a adequate but panoramic view of Elgar's existence and track. The amazing record of authors and concise nature in their contributions make this e-book an simply digestible and relaxing read."
Edward Elgar was once a guy of many contradictions. He was once born an interloper, right into a family members of lower-middle type, Catholic, origins. but his popularity, and talent to put in writing song that struck a chord within the nationwide realization, led him to undertake a sycophantic angle in the direction of the Royal family members and excessive society, even if he continuously felt in poor health comfortable with them. Elgar used to be a depressive with a troublesome marriage, who craved acceptance, yet in lots of methods he regretted the piece of track which made him recognized. 'Pomp and condition' made him the prime English composer of his age, but in addition contributed to the jingoism which he so disliked through the First global War.
Yet, absolutely, he used to be the best musical genius that England had produced in centuries. This Portrait, through a few of the students and musicians that comprehend him top, bargains new mild on quite a lot of elements of Edward Elgar's existence and work.
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Additional info for Elgar: An Anniversary Portrait
Cockaigne: Essays on Elgar ‘In London Town’ (Rickmansworth, 2004), pp. 69–73. 13 The pioneering work in this regard is Newton, ‘The Historical Elgar’, esp. pp. 58–62, to which I am much indebted. 14 J. N. ), Edward Elgar: Letters of a Lifetime (Oxford, 1990), p. 272. 15 Kennedy, Portrait of Elgar, pp. 15–16. 16 W. L. Burn, The Age of Equipoise: A Study of the Mid-Victorian Generation (London, 1968), p. 7; A. Briggs, Victorian Cities (Harmondsworth, 1968), pp. 361–80; A. Armstrong, Stability and Change in an English County Town: A Social Study of York, 1801–1851 (Cambridge, 1974), p.
94 (1982), 113–22; idem, ‘The Brief Flowering of a Civic Religion’, The Listener, 26 July 1984, 14–15; D. Cannadine and E. Hammerton, ‘Conﬂict and Consensus on a Ceremonial Occasion: The Diamond Jubilee in Cambridge’, Historical Journal, XXIV (1981), 111–46; T. B. Smith, ‘In Defence of Privilege: The City of London and the Challenge of Municipal Reform, 1875–1890’, Journal of Social History, XXVII (1993–94), 59–83. 24 Moore, A Creative Life, p. 771. 25 VCH Worcestershire, vol. II (London, 1906), pp.
249. 56 Cannadine, Ornamentalism, pp. 101–20. 57 R. Price, ‘Society, Status and Jingoism: The Social Roots of Lower-Middle-Class Patriotism, 1870–1900’, in Crossick, Lower Middle Class, pp. 89–112; J. Morris, Pax Britannica: The Climax of an Empire (London, 1968), pp. 341–2. 58 J. M. MacKenzie, ‘In Touch with the Inﬁnite: the BBC and the Empire, 1923–53’, in J. M. ), Imperialism and Popular Culture (Manchester, 1986), p. 169. 59 I am here following the arguments outlined in: B. Porter, ‘Edward Elgar and Empire’, Journal of Imperial and Commonwealth History, XXIX (2001), 1–34; idem, ‘Pompous and Circumstantial: Elgar and Empire’, in W.