Download From the Velvets to the Voidoids: The Birth of American Punk by Clinton Heylin PDF

By Clinton Heylin

Exhaustively researched and jam-packed with distinct insights, this heritage trips from the punk scene's roots within the mid-1960s to the coming of "new wave" within the early Nineteen Eighties. With a solid that incorporates Patti Smith, Pere Ubu, tv, Blondie, the Ramones, the MC5, the Stooges, conversing Heads, and the lifeless Boys, this account is the definitive tale of early American punk rock. terribly balanced, it tells the tale of the music's improvement mostly in the course of the artists' personal phrases, whereas completely interpreting and comparing the tune in a lucid and cogent demeanour. First released in 1993, this was once the 1st ebook to inform the tales of those then-little-known bands; now, this version has been up-to-date with a brand new discography, together with imports and bootlegs, and an afterword detailing the post-1970s heritage of those bands. jam-packed with insights from interviews with artists similar to Lou Reed, Debbie Harry, David Byrne, Patti Smith, and Richard Hell, this e-book has lengthy been one in every of the fundamental reads on rock rebellion.

Show description

Read or Download From the Velvets to the Voidoids: The Birth of American Punk Rock PDF

Best popular books

Everyday economics: honest answers to tough questions

From how the present quandary occurred to the position of banks to how cash works, this booklet addresses advanced principles in a simple to appreciate Q&A layout with vigorous prose. With examples all through from own finance concerns resembling the best way to negotiate the easiest expense for a automobile, and may you purchase a guaranty for a brand new laptop, to important photo questions that have an effect on our nationwide and international economic system resembling: what's deflation and inflation?

Free Jazz. Black Power

For the 1st time in English, the vintage quantity that built a thorough new knowing of unfastened jazz and African American tradition

Popular American Recording Pioneers: 1895-1925

Come across the trailblazers whose recordings accelerated the limits of know-how and taken “popular” track into America's residing rooms! well known American Recording Pioneers: 1895--1925 (winner of the 2001 organization for Recorded Sound Collections Award of Excellence in historic Recorded Sound learn) covers the lives and careers of over 100 musical artists who have been in particular vital to the recording in its early years.

Extra resources for From the Velvets to the Voidoids: The Birth of American Punk Rock

Example text

All the Needles are on Red! 17 Yet Nico's importance in the early Velvets' set-up should not be underestimated. Her winter-day voice and icy beauty did add an extra dimension. Cale was certainly impressed by her singing, going on to produce her first four solo albums. The first Nico solo album, Chelsea Girl, recorded between the first two Velvets albums, could easily have been an alternative Velvet Underground and Nico. With Cale producing, Reed, Cale and Morrison providing musical accompaniment, and five songs written by Cale and/or Reed, Chelsea Girl is Nico and The Velvet Underground.

John Cale: This shoe salesman, Norman Dolph, put up the money, and he got a deal at Cameo-Parkway Studios, on Broadway. We went in there, and the floorboards were torn up, the walls were out, there were four mikes working. We set up the drums where there was enough floor, turned it all up and went from there. If conditions were anything but ideal, the quality of the results says a lot for the Velvets' determination to compensate for primitive facilities, and for the engineer's ability to get the best from very basic equipment.

Lou Reed: I hated playing Max's. Because I couldn't do the songs I wanted to do and I was under a lot of pressure to do things I didn't want to do ... I was giving out interviews at the time saying yes, I wanted the group to be a dance band, I wanted to do that, but there was a large part of me that wanted to do something else. I was talking as if I were programmed ... I didn't belong there. I didn't want to be a mass pop national hit group with followers. If the Max's concerts were viewed by New York fans as something of a homecoming, the spirit of America's rock & roll underground was passing beyond the five boroughs.

Download PDF sample

Rated 4.27 of 5 – based on 34 votes