By Editors of Fine Woodworking
СтильArts and Crafts достаточно прост и вместе с тем хорошо выглядит в почти любом доме и подходит ко многим типами мебели. Эта книга дает детализированные инструкции читателям для создания изделий в стилеArts and Crafts на всех этапах. Фотографии и иллюстрации шаг за шагом проведут через процесс изготовления классического стула, книжного шкафа, буфета, часов, и каминной доски. Фотографии законченных изделий обеспечивают дополнительное вдохновение.
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“To produce caliber paintings in an effective demeanour, Guidice contends that woodworkers have to be expert in seven crucial talents: joint making, measuring and staining, sawing to a line, sprucing, utilizing hand planes, making mortise-and-tenon joints, and wooden completing. .. Required examining for each woodworker, this is often an important buy.
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Extra info for In the Craftsman Style: Building Furniture Inspired by the Arts Crafts Tradition
Indd 50 F40 36 P36 GRIT SIZE The size of the grains used in any abrasive configuration – loose grains, sandpaper, stones and wheels – is described by several standards. Most commonly used is a screen size which refers to the number of holes per inch in a screen through which the abrasive grains are sifted. Sieves with successively finer screens catch the particles that can’t get through and are then named for the screen they just passed through. This method is used for granules up to about 220-grit (about 60µ).
Bottom line: poly-crystalline diamonds are well suited for loose-grain (or forms of diamond – do a web search for fullerene). paste) lapping compounds. They’ll crush as they wear That, and the fact that diamond crystals are sharp, and resharpen themselves. Monocrystalline diamonds means they can be called upon for sharpening duty. are recommended for bench “stones” or hones where Diamond crystals do wear out eventually but the lifethe diamond grit is fixed in place (usually in a layer span of diamond abrasive in most applications is long of plated-on nickel).
The conversion to martensite takes longer than the quench cycle and some of the retained austenite may or may not convert over hours, days, months or even years. Cryogenic treatment allows very nearly all of the retained austenite to convert to martensite. It’s as if the piece is finally, fully quenched. Cryogenic treatment improves toughness with little, if any, change in hardness. The improvement possible in any given piece will depend on how 9/15/09 5:04:02 PM 34 ( CHAPTER TWO ) much retained austenite it contains and that depends on how carefully it was heat-treated in the first place.