By Rene T. A. Lysloff, Jr. Leslie C. Gay, Andrew Ross
Relocating from internet to box, from Victorian parlor to 21st-century mall, the 15 essays collected the following yield new insights in regards to the intersection of neighborhood tradition, musical creativity and technological percentages. encouraged through the concept that of "technoculture," the authors find expertise squarely in the midst of expressive tradition: they're all in favour of how expertise culturally informs and infuses points of way of life and musical adventure, and so they argue that this merger doesn't inevitably bring about a "cultural grayout," yet as a substitute frequently produces intriguing new probabilities. during this assortment, we discover proof of musical practices and methods of realizing tune which are expert or perhaps considerably reworked by means of new applied sciences, but stay profoundly neighborhood common and which means.
CONTRIBUTORS: Leslie C. homosexual, Jr., Kai Fikentscher, Tong quickly Lee, René T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Théberge, Melissa West, Deborah Wong.
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Extra resources for Music and Technoculture
Prestige can also be obtained through other forms of commitment to the scene, most commonly through software development or the establishment and maintenance of a major website. Although those at the highest levels in the social hierarchy (mostly seasoned composers and computer programmers) Musical Life in Softcity / 39 have little real control over community members, they do command respect for their knowledge and experience. Imaginary Communities in Virtual Places The idea of community is predicated on a collective sense of common interests and purpose.
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Evangelista, Benny. 2000. ” San Francisco Chronicle, July 26, 2000, D1. Feld, Steven. 1994. ’ ” In Music Grooves: Essays and Dialogues. C. Keil and S. Feld, eds. Chicago: University of Chicago Press. Finnegan, Ruth. 1988. Literacy and Orality: Studies in the Technology of Communication. New York: Basil Blackwell. Frith, Simon. 1986. ” Media, Culture & Society 8 (3): 263–79. ———. 1996 Performing Rites: On the Value of Popular Music. Cambridge: Harvard University Press. Garofalo, Reebee. 1999. ” American Music 17 (3): 318–53.