Download Push Not the River (2nd Edition) (Poland Trilogy, Book 1) by James Conroyd Martin PDF

By James Conroyd Martin

A wide ranging and epic novel within the grand romantic sort, PUSH now not THE RIVER is the wealthy tale of Poland within the overdue 1700s--a time of heartache and turmoil because the country's as soon as peaceable everyone is being torn aside by means of neighboring nations and divided loyalties. it's then, on the younger and susceptible age of seventeen, whilst woman Anna Maria Berezowska loses either one of her mom and dad and needs to depart the one domestic she has ever identified.

With Empress Catherine's Russian armies streaming in to take their spoils, Anna is instantly thrust right into a international of affection and hate, loyalty and deceit, patriotism and treason, existence and loss of life. Even type Aunt Stella, Anna's new mum or dad who quickly involves personify Poland's braveness and spirit, can't guard Anna from the doubtful way forward for the rustic.

Anna, a baby not, turns to like and luxury within the kind of Jan, a courageous patriot and architect of democracy, unaware that her attractive and enigmatic cousin Zofia has already set her points of interest at the good-looking younger fighter. therefore Anna walks unwittingly into Zofia's jealous wrath and darkly sinister intentions. pressured to outlive a number of tragic occasions, lots of them orchestrated through the artful Zofia, a bolstered Anna starts off to benefit to put herself within the method of destiny--for love and for nation. Heeding the proud spirit of her overdue father, Anna turns into an incredible participant within the struggle opposed to the nations who come to partition her liked Poland.

PUSH now not THE RIVER is predicated at the actual eighteenth century diary of Anna Maria Berezowska, a Polish countess who lived during the upward thrust and fall of the ancient 3rd of may well structure. bright, romantic, and thrillingly paced, it paints the emotional and unforgettable tale of the metamorphosis of a nation--and of a proud and resilient younger girl.

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Additional info for Push Not the River (2nd Edition) (Poland Trilogy, Book 1)

Sample text

The psychological effort to come to terms with these feelings led Isherwood to "the pages of adventure stories designed for boys of twelve years old" (78) and to day-dreams of heroism, as he and others translated the war into the domestic concerns of university life (Lions 77-8). Greene said much the came thing when he looked back on his youth in Ways of Escape (1980): "We were a generation brought up on adventure stories who had missed the enormous disillusionment of the First World War, so we went looking for adventure" (37).

The obscurity is where it should be, in the layers of suggestion under the lucid surface" (Comments 29). Auden's was not the only voice in the 1930s, but it was an influential one heard not only by those closest to him (Spender, Day Lewis, MacNeice, Isherwood, and Edward Upward) but also by novelists such as Rex Warner, Orwell, and Greene. Auden's concluding remarks in "Poetry, Poets, and Taste" coupled Marxist thought and 41 Greene and the 1930s Wordsworthian ideas of poetic revolution in order to identify popular forms in literature with Leftist causes; and, for Greene, the consequences of this identification were to use and rework, first, the realist mode of discourse, and, second, the thriller which, in this "golden age" of detective fiction, dominated popular reading.

The area 39 Greene and the 1930s between the two becomes murky and ill-defined as attempts to draw distinctions easily modulate into lists of personally preferred texts or artifacts. It is the same dilemma that is involved in attempts to distinguish, in the general sense, "serious" literature (high art) from other literature (popular fiction), or, in the particular sense, Greene's novels from his "entertainments": each term in the opposition contaminates and inscribes the other. Nevertheless, in the early 1930s, certain proponents of the emergent Left sought to challenge and debate the conservative assumptions and statements, associated particularly with the Leavises, by reinvesting the popular with aesthetic and cultural importance.

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