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By Lisa Cartwright

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Extra resources for Screening the Body: Tracing Medicine's Visual Culture

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It is important that the gaze Foucault identifies is tied to clinical, and not laboratory, medicine. The medical historian Robert G. Frank Jr. 29 Experimental physiology gained institutional prominence in early-nineteenth-century Germany through the laboratory research of figures such as Hermann von Helmholtz, Karl Ludwig, and Rudolph Virchow and their students. In France, physiology advanced as a specialized area of medical research in part distinct from the clinical sphere through the work of figures such as Marie-Francois-Xavier Bichat, Charles Edouard Brown-Sequard, and Claude Bernard.

As I demonstrate in this chapter's concluding discussion of the early cinema genre of the facialexpression film, the fascination with physiological and technological spectacles of "life" was a transversal phenomenon, cutting across popular, public, and professional visual cultures. Tom Gunning has made a case for a genre of the early cinema, which he calls a "cinema of attractions," that provides some useful ways of thinking about how the graphic method intersected with a physiological tradition of popular cinema.

In terms of such discourses, the working classes, colonized peoples, the criminal, poor, ill-housed, sick or insane were constituted as the passive—or, in this structure, "feminised"—objects of knowledge. Subjected to a scrutinizing gaze, forced to emit signs, yet cut off from command of meaning, such groups were represented as, and wishfully rendered, incapable of speaking, acting, or organizing for themselves. The rhetoric of photographic documentation at this period . . 33 Tagg's description can also be applied to the cinematic practices that are described throughout this book.

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