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The component parts are secured tightly to each other with Allen bolts, and extending through each of the two support rings are three black threaded bolts at 120-degree intervals. These are fitted with a knurled adjustment disc on the outside, and a pivoted plastic flat 'foot' on the inside. Pretty much any mic with a body up to 65mm in diameter can be secured quickly by passing it through the two rings and screwing the clamps down to hold it firmly. All of the parts and finish are of a very high standard, and the threaded bolts allow easy, quick adjustments.

Each of the eight Engines has its own independent Groove controls. Finally, there are those Pads. A Pad is essentially a playback sampler, with its own associated on-screen pad and assigned MIDI note. Each Engine has 16 Pads, which are divided into four categories: Kicks, Snares, Hi-Hats and Percussion. Pads are fairly sophisticated, allowing up to eight different samples to be either stacked or velocity-switched. Parameters including gain, pan, pitch and filter settings are all adjustable, along with sample start and end points.

Cons Universal Microphone Mount Published in SOS September 2005 Print article : Close window Reviews : Accessory Provides no isolation from physical shocks. Expensive. summary This superbly engineered, expensive mount is capable of supporting almost any mic, but although it claims to offer sonic benefits, the differences are small and subjective. 19 Euros. Prices include VAT. uk Hugh Robjohns Mic capsules are sensitive to mechanical vibrations, which manifest themselves as low rumbles, masking low-level audio signals.

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