By Billy Taylor
Legendary jazz ambassador Dr. Billy Taylor's autobiography spans greater than six a long time, from the heyday of jazz on 52nd highway in Forties big apple urban to CBS Sunday Morning. Taylor fought not just for the popularity of jazz track as "America's classical tune" but additionally for the popularity of black musicians as key participants to the yank song repertoire. Peppered with anecdotes recalling encounters with different jazz legends corresponding to Jelly Roll Morton, Duke Ellington, artwork Tatum, count number Basie, Billie vacation, and so forth, The Jazz lifetime of Dr. Billy Taylor isn't just the existence tale of a jazz musician and spokesman but additionally a remark on racism and jazz as a social force.
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Extra info for The Jazz Life of Dr. Billy Taylor
Hayes got up to sing, only to be ridiculed by hecklers. Refusing to be unnerved by the inhospitable crowd, Hayes just stood there, defiantly waiting for the boos and hisses to subside. He then signaled to his accompanist, who started playing Schubert’s “Du bist die Ruh,” one of the favorite songs of the 24 Th e Ja zz Li fe of Dr . Bi lly Tay lor German people. As Hayes started to sing, the hostility evaporated and the people were simply overcome by the exquisite beauty of his voice. “There he was,” said Ms.
Bi lly Tay lor This may seem strange, since “blackface” comedy came out of the minstrel show, which was very degrading to African Americans. ” But the African Americans who were in “blackface” at the Howard Theatre did routines that reversed the typical storyline, where the black guy was always the butt of the joke. Instead, the skits always ended with the black guy coming out ahead, always winning. Still, there were some who found the very sight of “blackface” to be offensive. My father valued discipline and achievement, and so in order to ensure my learning to play the piano correctly, he arranged for me to have lessons with a local piano teacher, Mrs.
I made 50 cents playing at the Republic Garden on U Street, just a short walk from my house. There was an older guy there who was supposed to play, but he had some kind of emergency and couldn’t fulfill the gig. So he knew that I played piano and, in desperation, called on me to take his place, which I was very happy to do although I was underage and had no business there in the first place. My parents learned about my gig after the fact, and in retrospect, I marvel at how tolerant they were. I was much older when I learned that Uncle Bob’s connections on the street were to thank for the fact that I had entered the club scene at so young an age but had managed to stay out of trouble.