By Luigi Cocchiarella
The booklet is galvanized through the 1st seminar in a cycle hooked up to the celebrations of the one hundred and fiftieth anniversary of the Politecnico di Milano. "Dealing with the picture Ivory Towers and digital Bridges" used to be the motto of this assembly, aiming to stimulate a dialogue between engineers, designers and designers, all of whom are frequently eager about using the picture as a really expert language aiding their paintings, their examine actions and their academic initiatives. The publication also will comprise the essays of invited or interviewed authors from different disciplines, particularly Philosophy, arithmetic and Semiotics. in keeping with Regis Debray, within the current "Visual Age", which he has considerably outlined as a "Video-Sphere", all of the details has a tendency to be processed and regulated by way of visible units. this happens particularly within the a number of branches of many technical stories and actions, essentially the most delicate parts to using visible Language some time past or even extra within the present.
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Additional resources for The Visual Language of Technique: Volume 1 - History and Epistemology
John Murray, London, p. 6, p. 74, p. 131, p. : Zeit-Bilder. Zur Soziologie und Ästhetik der Modern Malerei. Klostermann, Frankfurt, p. : Principles of psychology, pp. 224–225. : The Seminar of Jacques Lacan. Book XI. The Four Fundamental Concepts of Psychoanalysis. W. W. Norton Company, London-New York, p. 67–123, p. : Analyse der Empﬁndungen. Gustav Fisher, Jena, p. : Une idée fondamentale de la phénoménologie de Husserl: l’intentionnalité. : Osservazioni ﬁlosoﬁche. Einaudi, Torino, p. 225 (1981) Geometry—Daughter of Art, Mother of Mathematics Gunter Weiss Abstract Geometry is “Janus-headed”: Looking backwards it collects, abstracts and systematizes single phenomena and facts of nature, art and mathematics and it provides mathematics with models and structures for these facts.
Cosmic Imagery: Key Images in The History of Science. WW Norton & Company, New York (2008) 3. : Séméiologie graphique: les diagrammes, les réseaux, les cartes, cartographer and theoreticians. Mouton, La Haye (1967) 4. : Design multiverso: appunti di fenomenologia del design. design, Milano (2004) 5. : The shallows: what the internet is doing to our brains. WW Norton & Company, New York (2010) 6. : Geometry and graphics in spatial invention: among mind, hand and digital means. J. Geom. Graphics 10(2), 177–191 (2006) 7.
New spontaneous ivory towers grew up inside and outside the books. Computer graphics has and is still working as a linguistic connector thanks to the Boolean power to translate all the possible signs into digital food for our starving and performing machines. In other words, recalling the title of this paragraph, the mentioned Ivory Towers have already been moved in the digital soup, but they will remain only tangent domains until we will not provide new appropriate bridges, namely Virtual Bridges.