This means that you have to simultaneously press play on your drum machine and record on the R12 if you want your recordings to line up. The size and functionality of the R12’s screen might be more of a deciding factor over whether it’s worth stretching the budget for the more expensive R20, which has a larger display with the added benefit of multi-touch gestures. Lovely portable device with great features, but with so many years of experience, Zoom should have acknowledged that people need to be able to sync their setup.

Zoom - R12 Multitrack Recorder LN129688 - 10010297 | SCAN UK Zoom - R12 Multitrack Recorder LN129688 - 10010297 | SCAN UK

You can then choose which finance term you'd like to apply for, and change your deposit if you wish. Around the back, things are equally simple, with two combo jack (XLR/TRS) inputs, TRS master outputs, a 3.The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. With just two inputs to play with, the typical approach with the R12 is the classic method of layering and overdubbing instruments on top of each other one or two at a time (the eight-input R20 is Zoom’s option for those who want to record a full band in one live take). Two channels of audio can be recorded simultaneously, directly onto a SDHC or SDXC card up to 1TB in capacity. In terms of physical controls on the front panel, the approach is very much in keeping with the classic Portastudio/four-track approach pioneered by Tascam back in the 70s; set levels, hit record and track then overdub. With that said, the R12 is a much more portable unit, obviously thanks to its size but also thanks to the option to run on four AA batteries or a USB power bank (the R20 requires a 12V power supply).

Zoom R12 MultiTrak review | Juno Daily - Juno Records Zoom R12 MultiTrak review | Juno Daily - Juno Records

With the R12, it's easier than ever to record, edit and mix songs in the location of your choice, so you can focus on the music. You want to grab a real fader, one that always controls the same thing and shows its current state just by its location. Rapidly approaching their fifth decade in the music space, Tokyo’s Zoom Corporation are hard to pin down. With the new Sequence Play function, you can create a playlist of your projects to use as a backing track. The reason the physical controls are so basic is that the bulk of the R12’s functions are accessed via the touchscreen, from arming tracks to record, through to monitoring levels and editing projects.Then again, I see this more as a tool for live recording, not for capturing tracks from sequencers and drum machines.